James Horner

James Roy Horner (August 14, 1953 – June 22, 2015) was an American composer, conductor and orchestrator of film scores. He was known for the integration of choral and electronic elements in many of his film scores, and for his frequent use of motifs associated with Celtic music.

His first major film score was for the 1979 film The Lady in Red, but did not establish himself as a mainstream composer until he worked on the 1982 film Star Trek II: The Wrath of Khan. Horner's score for Titanic is the best-selling orchestral film soundtrack of all time, with his work on Titanic and Avatar, both directed by James Cameron, contributing to the first two films to achieve a $2 billion box office.

Horner collaborated on multiple projects with directors including Don Bluth, James Cameron, Joe Johnston, Walter Hill and Ron Howard; producers including David Kirschner, Jon Landau, Brian Grazer and Steven Spielberg; and songwriters including Will Jennings, Barry Mann and Cynthia Weil. Horner composed music for over 100 films; he won two Academy Awards, two Golden Globe Awards, three Satellite Awards, and three Saturn Awards, and was nominated for three British Academy Film Awards.

Horner died in a single-fatality crash of his Embraer EMB 312 Tucano turboprop aircraft at the age of 61.

Early life
Horner was born in 1953 in Los Angeles, California, to Jewish immigrants.

His father, Harry Horner, was born in Holíč, then a part of Austria-Hungary. He immigrated to the United States in 1935 and worked as a set designer and art director. His mother, Joan Ruth (née Frankel), was born into a prominent Canadian family. His brother Christopher is a writer and documentary filmmaker.

James Horner started playing piano at the age of five. he also played violin. He spent his early years in London, where he attended the Royal College of Music. He returned to America, where he attended Verde Valley School in Sedona, Arizona, and later received his bachelor's degree in music from the University of Southern California. After earning a master's degree, he started work on his doctorate at the University of California, Los Angeles (UCLA), where he studied with Paul Chihara, among others. After several scoring assignments with the American Film Institute in the 1970s, he finished teaching a course in music theory at UCLA, then turned to film scoring. Horner was also an avid pilot, and owned several small airplanes.

Career
Horner's first credit as a feature-film composer was for B-movie director and producer Roger Corman's Battle Beyond the Stars. As his work gained notice in Hollywood, Horner was invited to take on larger projects. One of his first major scores was for 1979's The Lady in Red.

Horner's big break came in 1982 when he was asked to score Star Trek II: The Wrath of Khan. It established him as an A-list Hollywood composer. Director Nicholas Meyer quipped that Horner was hired because the studio could no longer afford the first Trek movie's composer, Jerry Goldsmith; but that by the time Meyer returned to the franchise with Star Trek VI: The Undiscovered Country, the studio couldn't afford Horner either.

Horner continued writing high-profile film scores in the 1980s, including 48 Hrs. (1982), Krull (1983), Star Trek III: The Search for Spock (1984), Commando (1985), Cocoon (1985), Aliens (1986), *batteries not included (1987), Willow (1988), Glory and Field of Dreams (both 1989). Cocoon was the first of his many collaborations with director Ron Howard.

In 1987, Horner's original score for Aliens brought him his first Academy Award nomination. "Somewhere Out There," which he co-composed and co-wrote with Barry Mann and Cynthia Weil for An American Tail, was also nominated that year for Best Original Song.

Throughout the 1980s, 1990s and 2000s, Horner wrote orchestral scores for family films (particularly those produced by Steven Spielberg's Amblin Entertainment), with credits for An American Tail (1986) (with Hans Zimmer); The Land Before Time (1988); The Rocketeer and An American Tail: Fievel Goes West (1991) (with Hans Zimmer); Once Upon a Forest and We're Back! A Dinosaur's Story (1993); The Pagemaster (1994); Casper, Jumanji and Balto (1995); Mighty Joe Young (1998); and How the Grinch Stole Christmas (2000).

Horner scored six films in 1995, including his commercially successful and critically acclaimed works for Braveheart and Apollo 13, both of which received Academy Award nominations.

Horner's biggest critical and financial success came in 1997 with his score for James Cameron's Titanic. At the 70th Academy Awards, Horner received the Oscar for Best Original Dramatic Score, and shared the Oscar for Best Original Song with co-writer Will Jennings for "My Heart Will Go On". The film's score and song also won three Grammy Awards and two Golden Globe Awards. (Ten years earlier, Horner had vowed never to work with Cameron again, referring to the highly stressful scoring sessions for Aliens as "a nightmare".)

After Titanic, Horner continued to compose for major productions, including The Perfect Storm, A Beautiful Mind, Enemy at the Gates, The Mask of Zorro, The Legend of Zorro, House of Sand and Fog and Bicentennial Man). He also worked on smaller projects such as Iris, Radio and Bobby Jones: Stroke of Genius. He received his eighth and ninth Academy Award nominations for A Beautiful Mind (2001) and House of Sand and Fog (2003), but lost on both occasions to composer Howard Shore.

Horner composed the 2006–2011 theme for the CBS Evening News, which was introduced during the debut of anchor Katie Couric on September 5, 2006. He wrote various treatments of the theme, explaining, "One night the show might begin with the Iranians obtaining a nuclear device, and another it might be something about a flower show... The tone needs to match the news."

Horner collaborated again with James Cameron on his 2009 film Avatar, which became the highest-grossing film of all time, surpassing Cameron's own Titanic. Horner worked exclusively on Avatar for over two years. He said, "Avatar has been the most difficult film I have worked on, and the biggest job I have undertaken... I work from four in the morning to about ten at night, and that’s been my way of life since March. That's the world I'm in now, and it makes you feel estranged from everything. I'll have to recover from that and get my head out of [it]."

Avatar brought Horner his tenth Academy Award nomination, as well as nominations for the Golden Globe Award, British Academy Film Award and Grammy Award, all of which he lost to Michael Giacchino for Up.

After Avatar, Horner wrote the score for the 2010 version of The Karate Kid, replacing Atli Örvarsson. In 2011, he scored Cristiada (also known as For Greater Glory), which was released a year later; and Black Gold. In 2012 he scored The Amazing Spider-Man, starring Andrew Garfield. In an interview on his website, Horner revealed why he didn't return to compose the second movie; that he didn't like how the movie resulted in comparison to the first movie, and even called the movie "dreadful." Upon his departure, he was replaced by Hans Zimmer.

In early 2015, after a three-year hiatus, Horner wrote the music for the adventure film Wolf Totem, his fourth collaboration with director Jean-Jacques Annaud.

At the time of his death, Horner had scored two films yet to be released:


 * Southpaw, a boxing drama directed by Antoine Fuqua, starring Jake Gyllenhaal and Rachel McAdams (Horner wrote the score for free, due to his love for the film)
 * The 33, for director Patricia Riggen

In July 2015, a month after his death, it was discovered Horner had also written the score for the 2016 remake of The Magnificent Seven, planning it as a surprise.

Horner's scores are also heard in trailers for other films. The climax of Bishop's Countdown, from his score for Aliens, ranks as the 5th most commonly used soundtrack cue in trailers.

Horner also wrote the theme music for the Horsemen P-51 Aerobatic Team, and appears in "The Horsemen Cometh", a documentary about the team and the P-51 Mustang fighter plane. The theme is heard at the team's airshow performances.

Orchestral work
In 2014, Horner wrote Pas de Deux, a double concerto for violin and cello. Commissioned to mark 175th season of the Royal Liverpool Philharmonic Orchestra, the work was premiered on November 12, 2014 by Mari and Håkon Samuelsen, with the orchestra conducted by Vasily Petrenko. Horner also composed Collage, a concerto for four horns, premiered on March 27, 2015 at London's Royal Festival Hall by the London Philharmonic Orchestra conducted by Jaime Martín, with soloists David Pyatt, John Ryan, James Thatcher and Richard Watkins.

Musical "borrowing"
Horner was criticized for reusing passages from his earlier compositions, and for featuring brief excerpts and reworked themes from classical composers. For example, his scores from Star Trek II: The Wrath of Khan and Star Trek III: The Search for Spock include excerpts from Prokofiev's Alexander Nevsky and Romeo and Juliet; the famous action ostinato from Aliens is originally from Wolfen; the heroic theme from Willow is based on that of Robert Schumann's Rhenish Symphony; and the climactic battle scene in Glory includes excerpts from Wagner and Orff. Some critics felt these propensities made Horner's compositions inauthentic or unoriginal. In a 1997 issue of Film Score Monthly, an editorial review of Titanic said Horner was "skilled in the adaptation of existing music into films with just enough variation to avoid legal troubles".

Death and legacy
On June 22, 2015, news services reported that Horner was presumed to have died when his Short Tucano turboprop aircraft, registration number N206PZ, crashed into the Los Padres National Forest near Ventucopa, California. The following day, his representatives at the Gorfaine/Schwartz Agency posted a message on their website stating that Horner, the only person aboard the aircraft, was killed. His attorney confirmed Horner was in the airplane when it took off after fueling at Camarillo Airport. On June 25, the Ventura County Medical Examiner's Office confirmed Horner's death and ruled the crash an accident. The National Transportation Safety Board's accident ID is WPR15FA195. He is survived by his wife, Sara Elizabeth Horner (née Nelson), and two daughters.

Contemporaries and collaborators around the world paid their respects to Horner, including composers Hans Zimmer, Paul Williams and Alan Menken, and directors Ron Howard and James Cameron. Horner was reported to have been committed to the Avatar franchise; Cameron said he and Horner "were looking forward to our next gig." Horner's assistant, Sylvia Patrycja, wrote on her Facebook page, "We have lost an amazing person with a huge heart and unbelievable talent [who] died doing what he loved." Many celebrities, including Russell Crowe, Diane Warren and Celine Dion, also gave their condolences. Dion, who sang "My Heart Will Go On", one of Horner's most popular compositions and considered Dion's signature song, wrote on her website that she and husband René Angélil were "shaken by the tragic death" of their friend and "will always remember his kindness and great talent that changed [her] career." Leona Lewis, who recorded Horner's "I See You" for Avatar, said working with him "was one of the biggest moments of my life."

Post-accident investigation by the NTSB revealed that before the crash, Horner contacted the Southern California Air Route Traffic Control Center, from whom he received advisories while flying over the Chumash Wilderness area. The NTSB interviewed two witnesses of the flight, who were in their homes when Horner flew over them; one said that the plane was flying at between 500 and 700 feet.

On July 20, 2017 the NTSB Investigation was officially completed. Of note was that Horner had been taking prescription medications for high cholesterol and headaches. The probable cause of Horner's accident was as follows: "The pilot's failure to maintain clearance from terrain during low-level airwork, which resulted in uncontrolled collision with terrain. Contributing to the accident was the pilot's impairment from the combined effects of butalbital and codeine."

Awards and nominations
Horner won two Academy Awards, for Best Original Dramatic Score (Titanic) and Best Original Song ("My Heart Will Go On") in 1998, and was nominated for an additional eight Oscars. He also won two Golden Globe Awards, three Satellite Awards, three Saturn Awards, and was nominated for three British Academy Film Awards.

In October, 2013, Horner received the Max Steiner Award at the Hollywood in Vienna Gala, an award given for extraordinary achievement in the field of film music.

AFI
In 2005, the American Film Institute unveiled their list of the top twenty-five American film scores. Five of Horner's scores were among 250 nominees, making him the most nominated composer to not make the top twenty-five.


 * Apollo 13 (1995)
 * Braveheart (1995)
 * Field of Dreams (1989)
 * Glory (1989)
 * Titanic (1997)

List of accolades

 * Grammy Awards
 * 1988: An American Tail – Best Album of Original Instrumental Background Score Written for a Motion Picture or Television (with Hans Zimmer)
 * 1988: "Somewhere Out There" (from: An American Tail, Winner) – Song of The Year
 * 1988: "Somewhere Out There" (from: An American Tail, Winner) – Best Song Written specifically For a Motion Picture or Television
 * 1990: Field of Dreams – Best Album of Original Instrumental Background Score Written for a Motion Picture or Television
 * 1991: Glory (Winner) – Best Instrumental Composition Written for a Motion Picture or for Television
 * 1996: "Whatever You Imagine" (from: The Pagemaster) – Best Song Written specifically For a Motion Picture or Television
 * 1999: "My Heart Will Go On" (from: Titanic, Winner) – Record of The Year
 * 1999: "My Heart Will Go On" (from: Titanic, Winner) – Song of The Year
 * 1999: "My Heart Will Go On" (from: Titanic, Winner) – Best Song Written For A Motion Picture or for Television
 * 2003: A Beautiful Mind – Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media
 * 2011: Avatar – Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media
 * 2011: "I See You" (from: Avatar) – Best Song Written For A Motion Picture, Television or Other Visual Media

1970s

 * 1978 The Drought (for the American Film Institute)
 * 1978 Fantasies (for the American Film Institute)
 * 1978 Gist and Evans (for the American Film Institute)
 * 1978 Landscapes (for the American Film Institute)
 * 1978 Just for a Laugh (for the American Film Institute)
 * 1978 The Watcher (for the American Film Institute)
 * 1979 The Lady in Red
 * 1979 Up from the Depths

Television

 * 1981 A Few Days in Weasel Creek
 * 1981 Angel Dusted
 * 1982 A Piano for Mrs. Cimino
 * 1982 Rascals and Robbers: The Secret Adventures of Tom Sawyer and Huck Finn
 * 1983 Between Friends
 * 1985 Amazing Stories ("Alamo Jobe")
 * 1985 Surviving
 * 1989 Tales from the Crypt ("Cutting Cards")
 * 1990 Extreme Close-Up
 * 1992 Fish Police (theme and pilot episode)
 * 1992 Crossroads (theme)
 * 1999 Michelle Kwan Skates to Disney's Greatest Hits
 * 2000 Freedom Song
 * 2006 CBS Evening News

Short films

 * 1986 Captain EO
 * 1989 Tummy Trouble
 * 2012 First in Flight

Other

 * 2015 Album "Pas de deux (Horner)" released in May 2015.